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Stockholm, Kaknäs Tower 1967. Av Bo Lundberg.

Om föremålet

Bo Lundberg är en svensk illustratör, kreatör och formgivare. Bo Lundberg är en svensk illustratör, kreatör och formgivare. Hans grafiskt pregnanta och snygga bilder för tankarna både framåt och bakåt i tiden. Det vilar något futuristiskt över Bo Lundbergs bilder samtidigt som han kastar ett kärleksfullt öga mot svunna grafiska storhetstider. Men nostalgin tar aldrig överhanden och även om han doppar penseln i 50-, 60-, och 70-talens ymniga färgpaletter så riktar hantverk och manér in sig på nya digitala tider. Som Voir Magazine säger nedan; … his oeuvre oozes retro cool. his oeuvre oozes retro cool. Bo Lundberg är en svensk illustratör, kreatör och formgivare. Hans grafiskt pregnanta och snygga bilder för tankarna både framåt och bakåt i tiden. Det vilar något futuristiskt över Bo Lundbergs bilder samtidigt som han kastar ett kärleksfullt öga mot svunna grafiska storhetstider. Men nostalgin tar aldrig överhanden och även om han doppar penseln i 50-, 60-, och 70-talens ymniga färgpaletter så riktar hantverk och manér in sig på nya digitala tider. Som Voir Magazine säger nedan; … his oeuvre oozes retro cool. Så här beskriver tidskriften Voir Magazine Bo Lundberg: »If ever there was a contemporary artist whose work could mistakenly be positioned in the glamorous vaults of the past, Bo Lundberg is that artist. With a palette for exquisite simplicity, elegant colour, striking graphic elements and a hint of abstraction, his oeuvre oozes retro cool. Ever since Saul Bass stunned cinema-goers with his graphically simplistic film title sequence of Otto Preminger’s ‘The Man with the Golden Arm’ in 1955, graphic artists (Andy Warhol included) have been pushing the boundaries of visual communication in its most simple form – to great effect. Bo Lundberg’s art, very much in this ilk, is no different – a clever interpretation of the glamorous world in which he (or James Bond for that matter) lives. Drawing inspiration from objects he comes across in everyday life, the result is a harmonious testimony to how he has honed his skill without losing sight of his belief that for an image to work, it should reflect something to which the viewer is able to relate. With a roster of international clients to his name such as Wallpaper magazine, Vogue, Elle, Escada, Coca Cola, MTV, Neiman-Marcus, Rolls-Royce and Scandinavian Airlines, perhaps his own film title sequence should read something like ‘Catch Me if you Can’.«, Så här beskriver tidskriften Voir Magazine Bo Lundberg:, »If ever there was a contemporary artist, »If ever there was a contemporary artist whose work could mistakenly be positioned in the glamorous vaults of the past, Bo Lundberg is that artist. With a palette for exquisite simplicity, elegant colour, striking graphic elements and a hint of abstraction, his oeuvre oozes retro cool. Ever since Saul Bass stunned cinema-goers, Ever since Saul Bass stunned cinema-goers with his graphically simplistic film title sequence of Otto Preminger’s ‘The Man with the Golden Arm’ in 1955, graphic artists (Andy Warhol included) have been pushing the boundaries of visual communication in its most simple form – to great effect. Bo Lundberg’s art, very much in this ilk, Bo Lundberg’s art, very much in this ilk, is no different – a clever interpretation of the glamorous world in which he (or James Bond for that matter) lives. Drawing inspiration from objects he comes across in everyday life, the result is a harmonious testimony to how he has honed his skill without losing sight of his belief that for an image to work, it should reflect something to which the viewer is able to relate. With a roster of international clients, With a roster of international clients to his name such as Wallpaper magazine, Vogue, Elle, Escada, Coca Cola, MTV, Neiman-Marcus, Rolls-Royce and Scandinavian Airlines, perhaps his own film title sequence should read something like ‘Catch Me if you Can’.«
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