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Se alla auktioner i kategorin Porslin & Keramik
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FANTASTIC FOUR ANNUAL #1
origin of Fantastic Four; Spider-Man cover. Origin of Sub-Mariner & 1st SA app of Atlantis (1963) The Hope CollectionLäs mer
NYMPHENBURG Vase, 20. Jhd.
Beschreibung Weißporzellan mit feiner Blumenbouqurtmalerei, H. ca. 16,5, Alters- und Gebrauchsspuren. BeschreibungLäs mer
A Napoleon III gilt bronze mounted amaranth, tulipwood and marquetry
With a rectangular white marble top above, a gilt bronze frieze and panelled doors with a vase of flowers in marquetry, flanked on each side by canted corners, mounted with gilt bronze paterae and caryatids, all above a moulded apron and on bracket feet. The sides are veneered in quarters.Stamped: Befort JeuneDimensions: height 102 cm x width 120 cm x depth 40 cm . Mathieu Béfort (1813-1880) known as Béfort Jeune always stamped his work Béfort Jeune, or had the reverse of his bronze mounts stamped BJ. He was located at 1 and 6 rue Neuve-Saint-Gilles in Paris from 1844 to 1880. He was the son of Jean-Baptiste Béfort (1783-1840), who was of Belgian origin and renowned for having supplied furniture for the apartments of the Duc d'Orléans. His older brother Bernard Béfort was active between 1836 and 1858, which was the date after which Mathieu took over the business until 1878. As a gifted ébèniste-marqueteur he specialized in Boulle-style marquetry and in particularly high quality work inspired by the work of André-Charles-Boulle himself. Joseph-Emmanuel Zwiener reputedly took over the Béfort firm circa 1880.Läs mer
Studio 4 by Lina Bjerneld
Print size, Print size 50 x 70 cm Print type Archival Inkjet Print Edition Limited edition of 40 Paper type Hahnemühle, German Etching 310g, 50 x 70 cm, Print type, Archival Inkjet Print, Edition, Limited edition of 40, Paper type, Hahnemühle, German Etching 310gLäs mer
KPM Prunkdeckelvase, 20. Jhd.
Beschreibung Sogenannte 'Weimarer Vase', auf rundem getrepptem Fuß verschraubter Amphorenkorpus mit Henkeln, auf kobaltblauem Fond in goldumrankten Reserven zum einen eine feine Malerei einer Schäferszene in der Art von Watteau, zum anderen eine Blumenmalerei, darunter ein umlaufender reliefierter Schlangendekor, Deckel mit Zapfennopdus, Marke, H. ca. 45 cm, tlw. Reste von Klebestreifen, berieben, Alters- und Gebrauchsspuren. BeschreibungLäs mer
Francis Newton Souza - Still Life
oil on canvas 42 x 40 in. (106.7 x 101.6 cm.) painted in 1963Läs mer
Kort tid kvar!
1985 Peter Keil "Red Flowers" Original Oil on Board
A 1985 original oil painting on board by Peter Keil titled Red Flowers. Simplistic flowers in a vase set against a red background become the subject of the work. Painted in Keils signature graffit...Läs mer
Vase, Lötz Witwe
Dekor: 1900, Asträa. Farbloses Glas mit eingearbeiteten Kröseln in Silbergelb. Patinierte Metallmontur, mit kleinen Quadraten durchbrochen. H 20,5 cm.Läs mer
Metallo Iron Vase
This swarthy piece is a sculpture of sheet iron panels by Sciortino. The metalwork is painted black, with a rough finish that lends the work an air of rusticity. Measurements and finishes may vary slightly.Läs mer
Steiff Studio Giraffe
Large brown and creme Steiff plush studio giraffe with brand label at ear. Includes tags.Läs mer
Andrew Pereny Pottery Light Blue Vase
Rare Andrew Pereny Pottery light blue vase. Nice shape with good color. MINT CONDITION. No chips, cracks, damage or repair of any kind. Minute factory flaw as seen in photo. Bottom marked with Pereny Pottery, Col's, USA and V-19. Vase is 7 1/4" tall and 5 1/4" wide. Andrew produced pottery for only a brief period from 1933 to 1938 and has become avidly sought by collectors. More From AAPA Journal Article Pereny was born in Manhattan, the son of Arnold Perenyi, who immigrated from Hungary in 1906 with his wife Mary and children Louis and Anna. Son Frank was born soon after their arrival, and Andrew in 1908. Arnold was later described as a "commercial artist" but in the 1910 census was listed as a house painter. At some point the "I" was dropped from the family name, possibly when they moved to Detroit, where Andrew attended school. By 1927 he was working for Flint Faience Tile, a subsidiary of AC Sparkplug in Flint, Michigan, as a designer and installer. By his own account he assisted in the design and production of the tile installation at the Mayflower Hotel in Washington, D.C., but unfortunately none of this tile work is visible in the renovated hotel today. No other specific individual tile designs have been attributed to Pereny. While at Flint Faience, he was urged by a co-worker to attend Ohio State University to learn more about ceramics. This was undoubtedly John D. Whitmer, who was an OSU graduate in ceramic engineering and had worked at American Encaustic Tile in Zanesville before going to Flint Faience, where he remained until its closing in 1933. By that time Pereny had graduated from Ohio State with a B.F.A. in ceramic art, continuing in graduate school for a year but never obtaining an advanced degree. To help finance his way through college, Pereny began making artware and ceramic sculpture in a small building on Pearl St. or Pearl Alley, a dozen blocks from the Ohio State University campus. Aided by his wife, Ruth Koons, a cardiologist whom he married in 1933 and who also helped her husband in the pottery, Pereny continued artware production. The ware was sold through prominent outlets such as Lazarus, J. L. Hudson Co., Macy's, and Gimbels, until 1938, when the company was sold to W I. Tycer. According to Pereny, he learned ceramic engineering by osmosis. In 1935 he established the Pereny Equipment Company to manufacture custom-designed high temperature industrial furnaces and ceramic kilns, both electric and fuel fired. Realizing that developing innovations in this field was more profitable than making art pottery, Pereny continued to operate the company through World War II, during which he rose to the rank of Major. He also developed several patents, including a power-driven laboratory ball mill and a variable speed potter's wheel, as well Pereny in his studio. From The Ohio State University Monthly, February 1935. Pereny trivet. 5 1/2 inch diameter. as ceramic typewriter keys. Much of Pereny's art ware is marked with a distinctive triangular logo, and a similar logo continues to be used by the Pereny Equipment Company to this day. Pereny used a simple scheme for shape numbering, with vases being numbered consecutively at least as high as V-34. A B-8 bowl is also known, but many pieces lack shape numbers. In addition to his orange to yellow flambé glaze, which is the most commonly seen, he used a variety of high gloss and semi-matt glazes, bright Egyptian blue, a light blue, a very light green, gun-metal, and a reddishyellow ochre. A few pieces illustrate a problem with consistency of glaze thickness or pooling and even occasional fingerprints. Both white and red clays were used. While many pieces are hand thrown, others are molded, especially the more complicated figurinesLäs mer
Roses in Vases $ 24,000 purchase made by Aubusson, USA / France, 1993 material hand woven wool size 39 ¼ h x 97 ¼ l in description Woven signature to lower edge: [GRS]. Applied manufacturer’s label to reverse: [Certificat D’Autheticite Studio Basse Lisse Art et Creation, Tapisserie d’ Aubusson Sophie Mathieu Artist: Summers Gene Titre: Roses in Vases Examplaine No: 1/1]. This work is unique. condition Excellent. inquire / make offer print tearsheet Läs mer
Abstract Contemporary Artwork Framed and Matted Not
Not inspected out of frame, abstract painting contemporary interpretation of mason jars vase with plant still life. Signed Niabavar. Pastel. Measures app 43.5 ht by 45 widthLäs mer
Sculptural Jawar studio craft walnut coffee table, USA, 1983
A sculptural studio craft walnut coffee table in mint condition. This table was made by American craftsman James Rannefeld, also known as Jawar. Signed 'Jawar '83' and marked by 'Media Seven Design Group' Rannefeld is now the head chairman of the sculpture and wood departments at the University of New Mexico.Läs mer
Frida Vase by Jonathan Adler
Each side of the vase holds a different expression and enticing emotion. Hand-cast from white porcelain vase designed by Jonathan Adler. H: 40,5 cm W: 25,5 cmLäs mer
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