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French Art Deco Rug by D.I.M.
The quest for innovation that characterized the early years of the Art Deco period can be seen in much of the textile art of that era. D.I.M. (an acronym for Décoration Intérieure Moderne) was a leading Parisian interior design firm, owned by two of the most creative artistes-décorateurs of the time, René Joubert and Philippe Petit. Together they designed for the most prestigious interiors, where every object was custom made by them and by a host of designers in order to fit their specific requirements, ranging from figurative to abstract designs. Early Art Deco carpet design was often influenced by the visual arts as many of the designers worked in close contact with the painters of the period in what was a very interdisciplinary milieu. Here we see a pattern echoing the deconstructive approach of Analytical Cubism, with opened spherical devices embellishing the center as well as the spandrels, in a soft palette of neutral tones.Läs mer
Jan Josef Horemans the Elder, Tavern Scene
Certificate Walther Bernt, Munich, Novermber 1979.Läs mer
Kort tid kvar!
The Frank Mink "The Royal Swan" White Bisque Figurine
A Franklin Mint bisque porcelain figurine titled The Royal Swan. The piece depicts a white swan sitting on an oval base with glossy black finish. It includes a collector letter from The Franklin Mi...Läs mer
Signed Frank Bruno Boxing picture
Signed Frank Bruno Boxing pictureLäs mer
Andrew Pereny Pottery Light Blue Vase
Rare Andrew Pereny Pottery light blue vase. Nice shape with good color. MINT CONDITION. No chips, cracks, damage or repair of any kind. Minute factory flaw as seen in photo. Bottom marked with Pereny Pottery, Col's, USA and V-19. Vase is 7 1/4" tall and 5 1/4" wide. Andrew produced pottery for only a brief period from 1933 to 1938 and has become avidly sought by collectors. More From AAPA Journal Article Pereny was born in Manhattan, the son of Arnold Perenyi, who immigrated from Hungary in 1906 with his wife Mary and children Louis and Anna. Son Frank was born soon after their arrival, and Andrew in 1908. Arnold was later described as a "commercial artist" but in the 1910 census was listed as a house painter. At some point the "I" was dropped from the family name, possibly when they moved to Detroit, where Andrew attended school. By 1927 he was working for Flint Faience Tile, a subsidiary of AC Sparkplug in Flint, Michigan, as a designer and installer. By his own account he assisted in the design and production of the tile installation at the Mayflower Hotel in Washington, D.C., but unfortunately none of this tile work is visible in the renovated hotel today. No other specific individual tile designs have been attributed to Pereny. While at Flint Faience, he was urged by a co-worker to attend Ohio State University to learn more about ceramics. This was undoubtedly John D. Whitmer, who was an OSU graduate in ceramic engineering and had worked at American Encaustic Tile in Zanesville before going to Flint Faience, where he remained until its closing in 1933. By that time Pereny had graduated from Ohio State with a B.F.A. in ceramic art, continuing in graduate school for a year but never obtaining an advanced degree. To help finance his way through college, Pereny began making artware and ceramic sculpture in a small building on Pearl St. or Pearl Alley, a dozen blocks from the Ohio State University campus. Aided by his wife, Ruth Koons, a cardiologist whom he married in 1933 and who also helped her husband in the pottery, Pereny continued artware production. The ware was sold through prominent outlets such as Lazarus, J. L. Hudson Co., Macy's, and Gimbels, until 1938, when the company was sold to W I. Tycer. According to Pereny, he learned ceramic engineering by osmosis. In 1935 he established the Pereny Equipment Company to manufacture custom-designed high temperature industrial furnaces and ceramic kilns, both electric and fuel fired. Realizing that developing innovations in this field was more profitable than making art pottery, Pereny continued to operate the company through World War II, during which he rose to the rank of Major. He also developed several patents, including a power-driven laboratory ball mill and a variable speed potter's wheel, as well Pereny in his studio. From The Ohio State University Monthly, February 1935. Pereny trivet. 5 1/2 inch diameter. as ceramic typewriter keys. Much of Pereny's art ware is marked with a distinctive triangular logo, and a similar logo continues to be used by the Pereny Equipment Company to this day. Pereny used a simple scheme for shape numbering, with vases being numbered consecutively at least as high as V-34. A B-8 bowl is also known, but many pieces lack shape numbers. In addition to his orange to yellow flambé glaze, which is the most commonly seen, he used a variety of high gloss and semi-matt glazes, bright Egyptian blue, a light blue, a very light green, gun-metal, and a reddishyellow ochre. A few pieces illustrate a problem with consistency of glaze thickness or pooling and even occasional fingerprints. Both white and red clays were used. While many pieces are hand thrown, others are molded, especially the more complicated figurinesLäs mer
Franz Josef - Germany by Kristian Bengtsson
Print size, Print size 70 x 50 cm Print type Archival Inkjet Print Edition Limited edition of 10 Paper type Hahnemühle 305g, Photo Rag Ultra Smooth, 70 x 50 cm, Print type, Archival Inkjet Print, Edition, Limited edition of 10, Paper type, Hahnemühle 305g, Photo Rag Ultra SmoothLäs mer
daybed $ 9,500 purchase made by Firma Karl Mathsson, Sweden, 1950 material beech, upholstery, leather size 77 ½ w x 79 d x 18 h in description Signed twice with branded manufacturer’s mark to frame: [Bruno Mathsson Design Made in Sweden]. condition Excellent restored condition. inquire / make offer print tearsheet Läs mer
Charak signed hand made End Table inlaid Inlaid
Inlaid Mahogany End Table side table occasional table Serpentine edges tapered legs lower shelf. Measures ht 28 inches, surface 23 inches square. Surface wear. Label reads hand made Boston Massachusetts by Charak Furniture company 1937Läs mer
7 - RAVENTÒS, MARIA ASSUMPCIÓ
(Sant Sadurní d'Anoia, 1930) "Mar Enllà" Tapiz con fibras de lana, en tonos azules. Al dorso con etiqueta con firma, título, fechado en 1985. Medidas: 100 x 77 cmLäs mer
spätgotisch, Franken um 1500. Holz geschnitzt, verso gehöhlt sowie gefasst. Teils verwittert und überfasst. Rechter Fuss und Finger unvollständig. Risse.Läs mer
lounge chair from the Clarence Sondern House, Kansas City - Frank Lloyd Wright
lounge chair from the Clarence Sondern House, Kansas City - Frank Lloyd WrightLäs mer
Ulysse Nardin Sonata Streamline 44mm 675-01-4
Great attention to detail has been paid to the design of this gents' Sonata Streamline watch from Swiss horologist Ulysse Nardin. Its automatic movement is encased in a 41mm Titanium and 18K Rose Gold case with a black strap made of vulcanized rubber and featuring a firm deployment buckle. The glitter of the 18K rose gold crown, bezel, hands and parts of the dial on the cool background of the dial's black and silver finish gives the watch a very luxurious appearance. The black and silver dial displays hours, minutes, seconds, alarm, count down and a large-digit date.Läs mer
A Napoleon III gilt bronze mounted amaranth, tulipwood and marquetry
With a rectangular white marble top above, a gilt bronze frieze and panelled doors with a vase of flowers in marquetry, flanked on each side by canted corners, mounted with gilt bronze paterae and caryatids, all above a moulded apron and on bracket feet. The sides are veneered in quarters.Stamped: Befort JeuneDimensions: height 102 cm x width 120 cm x depth 40 cm . Mathieu Béfort (1813-1880) known as Béfort Jeune always stamped his work Béfort Jeune, or had the reverse of his bronze mounts stamped BJ. He was located at 1 and 6 rue Neuve-Saint-Gilles in Paris from 1844 to 1880. He was the son of Jean-Baptiste Béfort (1783-1840), who was of Belgian origin and renowned for having supplied furniture for the apartments of the Duc d'Orléans. His older brother Bernard Béfort was active between 1836 and 1858, which was the date after which Mathieu took over the business until 1878. As a gifted ébèniste-marqueteur he specialized in Boulle-style marquetry and in particularly high quality work inspired by the work of André-Charles-Boulle himself. Joseph-Emmanuel Zwiener reputedly took over the Béfort firm circa 1880.Läs mer
Thelma Table Lamp
This striking lamp features a body in precious Carrara marble with gold-finished metal accents on the sides. The lampshade is in a firm fabric. A top metal element allows the lamp to project its light downward.Läs mer
TWO BLUE DECORATED SALT GLAZED STONEWARE CROCKS 19THC.
ONE FRANK B. NORTON WORCESTER MASS ONE WITH CRACKS AND REPAIRS, SMALL CHIPS TO BASE ON THE OTHER, GREATEST HEIGHT 10 INCHES Läs mer
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