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Kirchner, Ernst Ludwig
Såld
Kirchner, Ernst Ludwig
Såld

Om föremålet

Das Soldatenbad (Artillerymen)
US
NY, US
US

notes

Please note there is an Irrevocable Bid on this lot.

medium

Oil on canvas

creator

Kirchner, Ernst Ludwig

dimensions

55 1/8 by 59 1/8 in.

exhibition

Frankfurt, Galerie Ludwig Schames, E. L. Kirchner, 1919, no. 12 (probably) Berlin, Galerie Alfred Flechtheim, Eröffnungsausstellung: Deutsche und französische Kunst aus des XX. Jahrhunderts Beginn, 1921, n.n. Berlin, Nationalgalerie, Ausstellung von Gemälden juengerer Künstler aus Deutschland, England, Frankreich und den Vereingten Staaten (Vier-Nationen-Ausstellung), 1926, no. 27 Berlin, Galerie Alfred Flechtheim, Das Problem der Generationen, 1927, no. 66 Brussels, Palais des Beaux-Arts, L’Art vivant en Europe, 1931, no. 45 (titled Le Bains des Soldats Russes) New York, The Museum of Modern Art, Recent European Acquisitions, 1956-57, n.n. New York, The Museum of Modern Art & St. Louis, Missouri, The City Art Museum, German Art of the Twentieth Century, 1957-58, no. 73, illustrated in the catalogue New Orleans, New Orleans Museum of Art, German and Austrian Expressionism, 1976, no. 32, illustrated in the catalogue Chicago, The Museum of Contemporary Art, German and Austrian Expressionism: Art in a Turbulent Era, 1978, n.n., illustrated in the catalogue Berlin, Staatliche Museen; Munich, Haus der Kunst; Cologne, Museum Ludwig & Zurich, Kunsthaus, Ernst Ludwig Kirchner 1880-1938, 1979-80, no. 235, illustrated in color in the catalogue New York, Grace Borgenicht Gallery, E. L. Kirchner: Paintings and Works on Paper, 1983, no. 4, illustrated in the catalogue London, Royal Academy of Arts & Stuttgart, Staatsgalerie, German Art in the 20th Century, Paintings and Sculpture 1905-1985, 1985-86, no. 11, illustrated in color in the catalogue Dusseldorf, Kunstsammlung Nordrhein-Westfalen, Museum der Gegenwart – Kunst in öffentlichen Sammlungen bis 1937, 1987, no. 27, illustrated in color in the catalogue New York, The Solomon R. Guggenheim Museum, Masterpieces from the Collection, 1990, n.n. Montreal, The Montreal Museum of Fine Arts, Masterpieces from the Guggenheim, 1992, no. 52, illustrated in color in the catalogue (titled Le Bain des soldats) New York, The Solomon R. Guggenheim Museum, Masterpieces from the Permanent Collection, 1992-93, n.n. Bilbao, Sala Rekalde; Vienna, Bank Austria Kunstforum; Hamburg, Kunsthalle & Helsinki, Ateneum, Masterpieces from the Guggenheim Collection, 1993-95, no. 22, illustrated in color in the catalogueLondon, Barbicon Art Gallery, A Bitter Truth: Avant-Garde Art and the Great War, 1994, no. 135, illustrated in color in the catalogue Berlin, Berlinische Galerie & Moscow, The Pushkin State Museum of Fine Arts, Berlin Moskau, 1900-1950, 1995-96, no. II/9 Berlin, Martin-Gropius-Bau, Die Epoche der Moderne - Kunst im 20. Jahrhundert, 1997, no. 25, illustrated in color in the catalogue Bilbao, Guggenheim Museum Bilbao, Inaugural Exhibition, 1997-98, n.n. Lugano, Museo d’Arte Moderna, Ernst Ludwig Kirchner, 2000, n.n. Berlin, Neue Nationalgalerie, Der Postdamer Platz. Ernst Ludwig Kirchner und der Untergang Preussens, 2001, no. 89, illustrated in color in the catalogue Las Vegas, Guggenheim Hermitage Museum, Art Through the Ages: Masterpieces of Painting from Titian to Picasso, 2003, n.n., illustrated in color in the catalogue Washington, D.C., National Gallery of Art & London, Royal Academy of Arts, Ernst Ludwig Kirchner: The Dresden and Berlin Years, 2003, no. 157, illustrated in color in the catalogue Bonn, Kunst und Ausstellungshalle der Bundesrepublik Deutschland, The Guggenheim Collection, 2006-07, no. 45, illustrated in color in the catalogue Madrid, Museo Thyssen-Bornemisza, 1914! The Avant-Garde and the War, 2009, no. 120, illustrated in color in the catalogue New York, The Solomon R. Guggenheim Museum, Kandinsky and Expressionist Painting Before World War I, 2009-10, n.n. Frankfurt, Städel Museum, Ernst Ludwig Kirchner Retrospective, 2010, no. 75, illustrated in color in the catalogue New York, The Solomon R. Guggenheim Museum, The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918, 2011, n.n., illustrated in color in the catalogue Berlin, Brücke-Museum, Weltenbruch: die Künstler der Brücke im Ersten Weltkrieg, 1914-1918, 2014, no. 72, illustrated in color in the catalogue Davos, Kirchner Museum, Ernst Ludwig Kirchner: der Künstler als Fotograf, 2015-16, no. 105, illustrated in the catalogue

literature

Kirchner Archives, vol. II, no. 139 Alfred Flechtheim, Der Querschnitt, 1922, illustrated p. 199 Cahiers de Belgique, Brussels, May 1, 1931, illustrated p. 157 Peter Selz, German Expressionist Painting, Berkeley, 1957, illustrated pl. 138 Charles R. McCurdy, ed., Modern Art: A Pictorial Anthology, New York, 1958, no. A97, illustrated p. 73Franz Roh, "Entartete" Kunst. Kunstbarbarei im Dritten Reich, Hannover, 1962, p. 438 Donald E. Gordon, Ernst Ludwig Kirchner, Cambridge, Massachusetts, 1968, no. 434, illustrated p. 329 Herte Hesse-Frielinghaus, “Ernst Ludwig Kirchner und das Museum Folkwang Hagen: Briefe von ihm, an und über ihn” in Westfalen, Munster, 1974, no. I-80 Richard Hamann & Jost Hermand, Expressionismus, Berlin, 1975, illustrated p. 37 Alfred H. Barr, Jr., Painting and Sculpture in the Museum of Modern Art, 1929-1967, New York, 1977, illustrated p. 69 (titled Artillerymen) Johannes von Geymüller, Die Gemälde des 20. Jahrhunderts Kunstmuseum Düsseldorf Malerei, vol. III, p. 371 Expressionisten, Die Avantgarde in Deutschland 1905-1920 (exhibition catalogue), Staatliche Museen zu Berlin, Nationalgalerie und Kupferstichkabinett, Berlin, 1986, illustrated p. 136 Donald E. Gordon, Expressionism - Art and Idea, New Haven & London, 1987, illustrated p. 155 Walter Lepori, Zauberberge: zu Ernst Ludwig Kirchners Davoser Bergbildern, Zurich, 1988, illustrated p. 14 Carla Schulz-Hoffmann, Ernst Ludwig Kirchner: Gemälde 1908-1920, Munich, 1991, illustrated in color p. 34 Thomas Röske, Ernst Ludwig Kirchner, Tanz zwischen den Frauen: eine Kunst-Monographie, Frankfurt-am-Main, 1993, illustrated p. 18 Annegret Jürgens-Kirchhoff, Schreckensbilder Krieg und Kunst im 20. Jahrhundert, Berlin, 1993, illustrated p. 75 Lucius Grisebach, Ernst Ludwig Kirchner: 1880-1938, Cologne, 1995, illustrated in color p. 129 Hyang-Sook Kim, Die Frauendarstellungen im Werk von Ernst Ludwig Kirchner: verborgene Selbstbekenntnisse des Malers, Marburg, 2002, illustrated p. 90 Peter Springer, Hand and Head: Ernst Ludwig Kirchner's Self-portrait as Soldier, Berkeley, 2002, illustrated in color p. 172 Christine E. Stauffer, ed., Festschrift für Eberhard W. Kornfeld zum 80. Geburtstag, Bern, 2003, illustrated in color p. 255 Ernst Ludwig Kirchner: Mountain Life, The Early Years in Davos 1917-1926 (exhibition catalogue), Kunstmuseum, Basel, 2003, illustrated p. 64 Ashley Bassie, Expressionism, London, 2005, illustrated in color p. 153 Ernst Ludwig Kirchner in Berlin (exhibition catalogue), Brücke Museum, Berlin, 2008, no. 241, illustrated in color n.p. Hans Delfs, Der gesamte Briefwechsel: "die absolute Wahrheit, so wie ich sie fühle". 4, Briefe von 1901 bis 1923: Nachträge und Register, Zurich, 2010, no. 264, 275 & 3300 Gregor Langfeld, Deutsche Kunst in New York: Vermittler, Kunstsammler, Ausstellungsmacher, 1904-1957, Berlin, 2011, illustrated in color p. 154 Vibrant Metropolis, Idyllic Nature: Kirchner—The Berlin Years (exhibition catalogue), Kunsthaus, Zurich, 2017, illustrated in color p. 67

provenance

Galerie Ludwig Schames, Frankfurt Alfred Flechtheim, Dusseldorf (acquired from the above in 1919) Städtisches Kunstmuseum, Dusseldorf (acquired by donation in 1928-29) Alfred Flechtheim, Dusseldorf (acquired from the above by exchange in 1930 and left in the custody of his niece, Rosi Hulisch, on his departure from Germany in 1933) Kurt Feldhäusser, Berlin (acquired in 1938) Marie Luise Feldhäusser, Berlin (by inheritance from her son, above, in 1945) Erhard Weyhe Gallery, New York (acquired from the above in 1949) Mr. & Mrs. Morton D. May, St. Louis (acquired by 1952) The Museum of Modern Art, New York (a gift from the above in 1956) The Solomon R. Guggenheim Museum, New York (by exchange from the above in 1988) Acquired by restitution from the above in 2018

signedDate

Signed E. L. Kirchner (lower right)

time_period

Painted in 1915.

time_range_end

1915

artist_range_end

1938

time_range_start

1915

artist_range_start

1880

consignmentDesignation

Masterpieces from the Alfred Flechtheim Collection

creator_nationality_dates

1880 - 1938


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