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Kandinsky, Wassily
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Kandinsky, Wassily
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Kandinsky, Wassily

US
NY, US
US

Om föremålet

Zum Thema Jüngstes Gericht (On the Theme of the Last Judgement)
US
NY, US
US

medium

Oil and mixed media on canvas

creator

Kandinsky, Wassily

dimensions

18 1/2 by 20 1/2 in.

exhibition

Edinburgh, Royal Scottish Academy & London, Tate Gallery, The Blue Rider Group, 1960, no. 65 (titled Watercolour - II) Winterthur, Kunstmuseum, Der Blaue Reiter und sein Kreis, 1961, no. 15 New York, The Solomon R. Guggenheim Museum, Vassily Kandinsky 1891-1914, 1966 New York, Gallery of Modern Art, A Survey of Russian Painting, Fifteenth Century to the Present, 1967, illustrated in color in the catalogue (titled Theme of the Deluge and the Last Judgement) New York, Leonard Hutton Galleries, Russian Avant-Garde, 1908-1922, 1971, no. 44, illustrated in color in the catalogue (titled Theme of the Deluge and the Last Judgement) Bielefeld, Kunsthalle, Wassily Kandinsky: Aquarelle, Gouachen, Zeichnungen, 1973 New York, Leonard Hutton Galleries, Der Blaue Reiter und sein Kreis, 1977, no. 31, illustrated in color in the catalogue Southampton, Southampton Art Gallery, Sounds of Colour, 1982, no. 5 Nottingham, Nottingham Castle Museum, Sounds of Colour, 1984, no. 5 Edinburgh, Scottish National Gallery of Modern Art, The Romantic Spirit in German Art, 1790-1990, 1994, no. 151 Jerusalem, The Israel Museum, Wassily Kandinsky: The Color of Abstraction, 1999-2000, illustrated in color in the catalogue Saint-Paul-de-Vence, Fondation Maeght, Vassily Kandinsky. Rétrospective, 2001, no. 48, illustrated in color in the catalogue London, The Courtauld Gallery, 2002-18 (on loan)

literature

Michael Conil-Lacoste, Kandinsky, Paris, 1979, illustrated in color p. 35 (titled Theme of the Deluge and Last Judgement) Joan M. Vastokas, "The Roots of Abstraction: An Introduction" in Artscanada, Toronto, May-June 1979 Hans K. Roethel & Jean K. Benjamin, Kandinsky, Catalogue Raisonné of the Oil-Paintings, vol. I, London, 1982, no. 481, illustrated p. 479 The Blue Four. Feininger, Jawlensky, Kandinsky, Paul Klee (exhibition catalogue), Leonard Hutton Galleries, New York, 1984, illustrated in color p. 50 Judi Freeman, The Fridart Collection: Nineteenth and Twentieth-Century Modern Masterworks, London, 1998, illustrated in color p. 118 The Courtauld Institute of Art, ed., The 20th Century at the Courtauld Institute Gallery, London, 2002, illustrated in color p. 55

provenance

Gabriele Münter, Murnau (acquired from the artist) Gabriele Münter und Johannes Eichner-Stiftung, Munich (acquired by 1961) Leonard Hutton Galleries, New York (acquired by 1967) Robert Schwarz, Jr., New Jersey The Norton Simon Foundation, Los Angeles Leonard Hutton Galleries, New York Acquired from the above on March 5, 1979

signedDate

Signed with the artist's monogram (lower left)

time_period

Painted in 1913.

time_range_end

1913

artist_range_end

1944

time_range_start

1913

artist_range_start

1866

consignmentDesignation

The Triumph of Color: Important Works from a Private European Collection

creator_nationality_dates

1866 - 1944


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*Vänligen notera att att priset inte är omräknat till dagens värde, utan avser slutpriset vid tidpunkten när föremålet såldes.


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