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Alberto Korda (1928–2001) - Discurso de Fidel Castro en Plaza de la Revolucion

Alberto Korda (1928–2001) - Discurso de Fidel Castro en Plaza de la Revolucion

Auction: "Alberto Korda, personal archive". Original photographs from the personal archive of Alberto Korda, certified by his sole universal heir, Diana Díaz López. Note about this photograph in particular: * " Fidel Castro’s Speech at Plaza de la Revolución, July 26, 1966 + COA ". Note: A giant banner with Fidel Castro’s photograph when he was imprisoned by Batista during the Moncada Barracks assault in Santiago de Cuba can be seen in the background of the plaza. * This photograph bears the photographer’s dry seal and the COA (Certificate of Authenticity) signed by his daughter Diana Diaz, authenticating the photograph. It is important to know that later copies from this period lost a great deal of quality because the negatives deteriorated over the years and left marks that made it impossible to reproduce the same quality and intensity in tones as those we offer. An unprecedented proposal of historical, artistic, and documentary value In the world of art and documentary photography, there are moments that mark a before and after. This auction represents one of them. For the first time, an exclusive selection of original photographs from Alberto Korda’s personal archive is made available to the public, the famous Cuban photographer whose work not only defined the visual language of the Cuban Revolution but also became an icon of 20th-century history. Beyond his renowned authorship of the mythical portrait of Ernesto “Che” Guevara —an image that has transcended cultures as a symbol of rebellion, dignity, and idealism— becoming the most reproduced image in human history. Korda was a deeply committed artist to his time, a sensitive observer of his surroundings and a visual chronicler of an unprecedented political, social, and human process. The works presented in this auction are not mere reproductions or copies without a defined origin: they come directly from the artist’s personal archive and represent a unique, unrepeatable opportunity to acquire pieces with a degree of authenticity and traceability practically impossible to find today in the international market. The blacks in the photographs reveal the extreme image quality directly from the negative, a level rarely achievable in later copies. Guaranteed authenticity: The priceless value of the certificate signed by Diana Díaz. The element that definitively distinguishes this collection is that each photograph comes with a certificate of authenticity issued and personally signed by Diana Díaz, the uniquely recognized universal heir of Alberto Korda’s legacy by his father and the only person authorized to certify the work. This detail, far from being a mere documentary formality, constitutes an absolute guarantee of the origin, legitimacy, and authenticity of the work. In the world of collecting, provenance is a determining factor, and having the direct endorsement of the person legally and by inheritance authorized to validate Korda’s work adds incalculable tangible and intangible value. Diana Díaz has been, for decades, the guardian of her father’s personal archive, and her role as guardian of that legacy has been recognized both in Cuba and internationally. No one else in the world has the legal authority to issue authenticity certificates for Alberto Korda’s works. Therefore, acquiring a photograph with her certificate effectively ensures a direct and legitimate link to the author, his original archive, and his family history. In the art market, this legitimacy is more than a guarantee: it is a safe investment, a mark of exclusivity, and protection against the proliferation of false copies or unverified prints circulating without backing. A living legacy: Art, revolution, and humanity The photographs available in this auction reflect different facets of Korda’s gaze: from intimate portraits of Fidel Castro and Che Guevara, to spontaneous scenes of the Cuban people, revolutionary women, children in schools, workers, parades, and moments of deep social symbolism. Each image encapsulates the energy of a time and the sensitivity of an artist who knew how to portray not only the leaders but also the soul of the people. The beauty of his work lies in the ability to capture emotion, the slightest gesture, and human dignity, even in complex contexts. His humanist style, deeply, continues to be studied in art and photography academies for its aesthetic precision and narrative charge. Korda was not a mere witness to history. He was its visual interpreter, its poet in black and white. And his personal archive — zealously guarded until today — represents a vast artistic and documentary reserve of enormous historical value. An exclusive opportunity for collectors and institutions This event is not only relevant for private collectors but also for cultural institutions, museums, archives, foundations, and universities seeking to add a piece of contemporary history signed by one of its visual protagonists to their collections. The combination of: • Direct provenance from the author’s archive. • The personal and legal certification of Diana Díaz. • The image quality, aesthetics, and historical significance of each photograph. Turns these pieces into collectible items of the highest cultural and economic value, whose prestige and price will only increase over time. In the art world, few opportunities combine history, exclusivity, provenance, and authentication with such force as this. This is not just about art. It is about living history. Biografía de ALBERTO KORDA (1928-2001). Alberto Korda: The Eye of the Cuban Revolution. The beginnings: From fashion to revolution Born as Alberto Díaz Gutiérrez in Havana, Cuba, on September 14, 1928, Korda began his career in commercial and fashion photography. During the 1950s, he founded a studio with a partner, specializing in portraits of celebrities, models, and advertising. His talent for framing, light, and composition already stood out in this early stage, and his images revealed a refined aesthetic sensitivity that he would later apply to a very different context. However, his destiny changed radically from 1959, with the triumph of the Revolution led by Fidel Castro. Fascinated by the energy and idealism of the new political process, Korda turned to documenting social change from within, becoming the official photographer for the newspaper Revolución. His proximity to the revolutionary leaders gave him privileged access to intimate scenes, historic speeches, diplomatic trips, and everyday moments of revolutionary life. A visual testimony of the Revolution Korda was an exceptional witness to some of the most emblematic moments in Cuba’s contemporary history. Over more than a decade, he captured in black and white Fidel Castro, Che Guevara, Camilo Cienfuegos, Raúl Castro, and a variety of actors in the revolutionary process, as well as the Cuban people in their daily life: peasants, workers, children, and women who embodied the ideals of social justice, literacy, and sovereignty. His work is characterized by an intense emotional charge and an ability to find beauty and humanity in any scene. Korda maintained that his photography was “of the soul, not of technique,” and that authenticity is felt in every one of his compositions. His style is marked by natural light, close framing, and a deeply humanist gaze. The immortal image: Guerrillero Heroico On March 5, 1960, during a funeral for the victims of the La Coubre ship explosion in Havana, Korda took what would become the most iconic photograph of the 20th century: Ernesto “Che” Guevara, later titled Guerrillero Heroico. With a grave expression, a determined gaze, and wind-blown hair, Che appears as a symbol of rebellion and determination. Curiously, the image was not published by Revolución the next day, and Korda kept it as part of his personal archive. Years later, the photograph was widely reproduced and disseminated, becoming a global symbol of resistance, idealism, and the struggle against oppression. It was adopted by social movements around the world, from May ’68 to civil rights campaigns. Despite the image’s popularity, Korda never charged for its use — except when it was used for commercial purposes, such as in a vodka advertising campaign, which led Korda to sue and win the case, donating the proceeds to Cuba’s public health system. Beyond Che: An invaluable archive Although Guerrillero Heroico dominated the headlines, Korda’s work is vast and goes far beyond that image. His archive includes: • Close-up portraits of Fidel Castro, in moments of concentration, relaxation, or leadership. • Scenes of the Cuban people, particularly women and children, where dignity, hope, and everyday beauty stand out. • Documentation of international missions, such as travels to the USSR and Africa, showing the Revolution’s diplomatic reach. • Symbolic images, such as the miliciana, the girl with the stick doll, David and Goliath, where the contrast between violence and poetry creates a deeply moving effect. Korda believed that one of his most important series was the one dedicated to Cuban women, whom he portrayed as active protagonists of the revolutionary process. With these images, he helped challenge traditional gender roles and celebrate female strength. Legacy and international recognition Alberto Korda passed away in Paris in 2001 while attending an exhibition of his work. His legacy, however, has continued to grow, with exhibitions in museums and galleries around the world. His archive has been the subject of numerous publications and catalogs, and his works are part of private and public collections of the world’s greatest prestige. Korda is regarded as one of the most influential documentary photographers of the 20th century, and his work holds not only artistic value but also historical, political, and cultural significance. Each image offered in this auction is a window into the heart of a revolution, seen through the lens of an artist committed to his people and his history. Owning a work by Alberto Korda is much more than acquiring a photograph: it is safeguarding a memory, it is dialoguing with history, and it is paying tribute to an art that transformed politics into visual poetry. Note: Some descriptions are accompanied by illustrations from books about this image; the books shown are not included with the photograph for sale. The illustrative portraits of photographer Alberto Korda are also not included in the sale. Important: The photographs will be shipped well protected so that they arrive to their destination in perfect condition.

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Alberto Korda (1928–2001) - Discurso de Fidel Castro en Plaza de la Revolucion