Amaryllis Christian Rohlfs

Floral still lifes were Rohlfs’s preferred subject matter in his later work – he usually found the motifs for them in his own garden. In his artistic endeavour to fuse light and colour into a single entity, Rohlfs abandoned oil painting in favour of watercolour and tempera painting during the 1920s. In this technique, he found new ways of dematerialising his subject matter. | 1849 Niendorf - Hagen 1938 | Moderne Kunst | Arbeiten auf Papier | Nummer: 26x2564 | Provenance: Privatsammlung, Berlin; Sammlung, Rheinland, seit 2024.

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