Georg Baselitz ”Grosser Kopf”. 1966

Colour woodcut on wallpaper backed with jute. 49 × 41 cm (19 ¼ × 16 ⅛ in.). Signed lower left in pencil: G. Baselitz. Dated lower right in pencil: 1966.. Catalogue raisonné: Jahn/Gachnang 54/2 (of 2). Probably from the edition of approximately 20 impressions, which is not described in further detail. Each impression is unique in character.. [3222] Framed, Colour woodcut on wallpaper backed with jute. 49 × 41 cm (19 ¼ × 16 ⅛ in.). Signed lower left in pencil: G. Baselitz. Dated lower right in pencil: 1966.. Catalogue raisonné: Jahn/Gachnang 54/2 (of 2). Probably from the edition of approximately 20 impressions, which is not described in further detail. Each impression is unique in character.. [3222] Framed, Galerie Michael Werner, Cologne / Private Collection, Germany (acquired from Galerie Fred Jahn, Munich), Galerie Michael Werner, Cologne / Private Collection, Germany (acquired from Galerie Fred Jahn, Munich), “The impetus for making my first woodcuts was loneliness. In 1966, I moved from Berlin to the countryside in Osthofen, in the Rhine-Hesse region. Before that, I had made etchings, but now I no longer had the technical means to print them. No one where I lived had a press, so I looked for another technique that I could carry out myself. I was also keen to make paintings and drawings, and graphics as well, within a kind of uninterrupted tradition. I wanted it that way. I knew that such a tradition did not exist. Of course I knew that. I knew that no one was making woodcuts. I believe I was the only one. I knew of no one who was making woodcuts, I mean among the so-called avant-garde artists, those who were working with new images. […] I think it was obstinate and eccentric to make woodcuts in the way I did. You can see that in the works from 1966. At times, they are not unlike chiaroscuro woodcuts from the sixteenth or early seventeenth century.” (Georg Baselitz)

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