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Georg Jensen Astrid fog design Bangle No 222 C.1969

Georg Jensen Astrid fog design Bangle No 222 C.1969

Georg Jensen Astrid fog design Bangle No 222 C.1969. Of open brick-work design, mounted in sterling silver, inner diameter 66mm, will fit up to average 6.75 -7.00-inch wrist. Each link is 1 3/4″ long an 3/8″ across (6.7cm, 4.1cm x 1.2cm). This is a rigid bangle, no hinge, the links are handmade, the piece very comfortable to wear. Weight 90.81 grams, numbered 222, signed Georg Jensen, 925 S Denmark 222. Condition: Good. Original patina has not been overly polished, minor wear commensurate with age, no dents or bruises etc. Reflections from photography only. Iconic piece and difficult to find this model. Astrid Fog 1911 - 1993 Her first Georg Jensen jewelry collection was in 1969 with designs that were very sculptural and geometric. Fog was also associated with Royal Copenhagen Porcelain Manufacturer. Whether producing lamps, jewelry or clothing, Fog designs were always simple and sculptural. She was also a renowned fashion designer. She participated in exhibitions at the Danish National Arts and Crafts Association. Fog’s clothing design approach was key to her success in creating jewelry, showing how individual materials relate to design, particularly in jewelry. Georg Jensen Astrid fog design Bangle No 222 C.1969. Of open brick-work design, mounted in sterling silver, inner diameter 66mm, will fit up to average 6.75 -7.00-inch wrist. Each link is 1 3/4″ long an 3/8″ across (6.7cm, 4.1cm x 1.2cm). This is a rigid bangle, no hinge, the links are handmade, the piece very comfortable to wear. Weight 90.81 grams, numbered 222, signed Georg Jensen, 925 S Denmark 222. Condition: Good. Original patina has not been overly polished, minor wear commensurate with age, no dents or bruises etc. Reflections from photography only. Iconic piece and difficult to find this model. Astrid Fog 1911 - 1993, Her first Georg Jensen jewelry collection was in 1969 with designs that were very sculptural and geometric. Fog was also associated with Royal Copenhagen Porcelain Manufacturer. Whether producing lamps, jewelry or clothing, Fog designs were always simple and sculptural. She was also a renowned fashion designer. She participated in exhibitions at the Danish National Arts and Crafts Association. Fog’s clothing design approach was key to her success in creating jewelry, showing how individual materials relate to design, particularly in jewelry

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