Henry Maurice D'Anty (1910-1998) - Village Fair with Figures, c. 1960's

Henry Maurice D'Anty (1910-1998) | French Village Fair with Figures, c. 1960's Oil on Canvas Signed: Signed ‘d’Anty’ (lower left); signed again (on the reverse). Dimensions: Framed: 64.5 × 73.5 cm | 25.4 × 28.9 in Artwork: 46.5 × 55 cm | 18.3 × 21.7 in Provenance: Private Collection, Spain. Condition: Very good condition: the thick palette-knife impasto intact across the whole composition, with no cracking, losses or retouching; the canvas taut and unlined, the tacking margins a little frayed at the corners; the atelier authentication label on the reverse; minor rubbing and small losses to the gilding of the frame. Please contact us to request a detailed Condition Report.Shipping: Aurora & Athena coordinates professional, insured shipping for every purchase through vetted logistics partners: packing, transport, insurance and the export paperwork are arranged on the buyer's behalf and charged at the provider's cost. Buyers are equally welcome to collect in Barcelona or to appoint a carrier of their own. Lots are released once the total purchase price has been received. For shipments outside the EU an export licence may be required and Spanish export duties may apply to certain higher-value works; these are the buyer's responsibility. No export tax applies within the EU. Details on our Shipping & Export Information page (auroraathena.com/shipping/). Conditions of Sale: All lots are sold as is, in the condition described. The condition summary is given as a courtesy; a full condition report is available on request before the sale. Attributions and the five-year authenticity guarantee are governed by Section 4 (Returns and Refunds) of our Terms and Conditions. All enquiries must be made before bidding; no further information can be provided after the sale. By placing a bid you confirm that you have read and accept our Terms and Conditions in full (auroraathena.com/auction-terms-and-conditions/). -- A village on fair day: red roofs, a dark-gabled house and a church tower under a sky of broken cloud, with a crowd of villagers in black, blue and red streaming along the road. The paint is laid on with the palette knife in thick, sparkling slabs of colour — D’Anty’s unmistakable technique. Henry Maurice D’Anty (1910–1998), born in Belleville and trained at the Grande Chaumière and the Académie Julian, settled after the war in Montmartre, where he worked in Picasso’s former studio, and exhibited for decades at the Salon des Peintres Témoins de leur Temps. His knife-painted landscapes, villages and harbours, glowing with impasto, entered many public collections in France and North America. Signed ‘d’Anty’ at the lower left and again on the reverse.

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