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Josep Soler (1941) - NO RESERVE - Balcones bajo el sol

Josep Soler (1941) - NO RESERVE - Balcones bajo el sol

Pictura Subastas presents this magnificent work of art by Josep Soler, depicting a colorful ensemble of traditional buildings led by a large yellow façade and surrounded by palms and lush tropical vegetation. The painting stands out for its excellent technique and the high pictorial quality it conveys. · Dimensions of the work: 38x27x1 cm. · Oil on panel hand-signed by the artist on the right side of the work, J. Soler. · The piece is in good conserved condition. The work comes from an exclusive private collection in Girona. Important note: the photographs included are part of the lot description. Digital representation in a directional mockup; there may be differences from the actual article in color, scale, and details. The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself. Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available. This painting presents a bright urban scene dominated by a cluster of colors-rich buildings, partially hidden by lush tropical vegetation. The composition directs the eye toward a large yellow façade at the center, rising above a small garden filled with palm trees and plants. Architecture and nature are integrated in a warm, vibrant image that can convey the atmosphere of a sunny city, full of history and daily life. The central building stands out for its height and the intense yellow color of its façade. Its different levels are marked by a succession of windows and balconies that create a vertical rhythm. On the upper floor there are several dark openings, while on the middle level two large arched windows protrude. These curved forms add elegance to the building and evoke traditional architecture of colonial or Mediterranean character. The arched windows show panes in bluish, white, and greenish tones, some crossed by reddish lines suggesting frames and interior divisions. One of them includes a small railing, a detail that reinforces the sense of depth and gives personality to the façade. The darkness of the arches contrasts with the bright yellow wall, making this area one of the most attractive points of the composition. To the left of the main building, other lower structures are visible, rendered in blues, turquoise, grays, and ochres. Their balconies, roofs, and windows overlap, forming a dense and varied architecture. One roof features a combination of reds, oranges, and violets that adds warmth, while a very dark blue opening creates the impression of a corridor, an entrance, or a deep interior space. On the right side appears a house with a light-colored façade and a red roof, accompanied by another blue building rising behind. Sloped roofs and small windows create a contrast with the verticality of the central building. This accumulation of structures suggests an old neighborhood where houses have grown next to each other, forming an irregular urban landscape, close and full of character. Vegetation occupies a large part of the lower half of the scene. Several palm trees raise their crowns in front of the buildings and stretch their leaves in multiple directions. The dark greens mix with bluish greens, turquoise, and yellowish tones, creating a rich and dynamic vegetal mass. Some leaves seem to directly receive light, while others remain in shadow, adding depth and volume to the garden. Among the plants, small human figures are distinguished, reduced to silhouettes and color spots. Their presence provides scale to the buildings and suggests that the space is not only contemplative but also inhabited. The figures seem to walk or converse in the garden, integrating discreetly into the surroundings. These characters introduce a everyday dimension and allow imagining the life that unfolds behind the windows and along the paths. In the foreground appears a fence formed by bluish pillars and dark segments, separating the garden from the street. In the center opens an entrance or small turquoise door, toward which an interior path seems to lead. This structure establishes a boundary between public and private space, but at the same time visually invites entry and discovery of the garden hidden among the vegetation. The street or sidewalk at the bottom shows light tones, beige and cream, contrasting with the deep shadows that stretch in front of the fence. These dark areas add weight to the composition and help highlight the luminosity of the façades. The stepped arrangement of the street, the entrance, the plants and the buildings creates a convincing sense of depth, guiding the gaze from the foreground to the heights of the architecture. The color richness is one of the most striking aspects of the work. Yellows, blues, greens, reds, oranges, and violets are distributed across the scene, creating a warm, cheerful atmosphere. The colors are not limited to describing the buildings and plants; they also convey the intensity of the light, the humidity of the garden, and the lively character of the place. Each area seems to vibrate with its own energy, yet all maintain a clear unity. The urban landscape conveys a sense of memory and familiarity. The old façades, balconies, roofs, and abundant vegetation evoke a corner charged with stories, possibly belonging to a coastal or tropical city. The scene invites imagining the heat of the day, the murmur of conversations, the movement of leaves, and the life that hides behind every window. Overall, this painting offers a colorful, evocative vision of a neighborhood of traditional architecture surrounded by a lush tropical garden. The large yellow façade acts as the center of the composition, while the palms, balconies, and nearby houses build a space rich in depth and charm. The work conveys brightness, vitality, and nostalgia, turning a mundane urban corner into a welcoming scene full of personality.

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