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Juan Gonzalez Tomás (1950) - Printemps méditerranéen

Juan Gonzalez Tomás (1950) - Printemps méditerranéen

Juan González Tomás (1950) Mediterranean Landscape Oil on canvas. Signed. Attractive landscape by the Alicante painter Juan González Tomás (Muro de Alcoy, 1950), executed in oil on canvas and signed by the artist in the lower left corner. The composition presents an extensive Mediterranean plain in full bloom, dominated by a wide perspective that draws the eye from the vegetation in the foreground to the gentle mountain elevations that close the horizon. The work stands out especially for its chromatic and luminous richness. González Tomás builds the foreground with a dynamic, fragmented brushstroke, layering greens, yellows, ochres, and earth tones over which numerous small red, white, and yellow accents appear, corresponding to wildflowers. This freer,impasto brushwork in the foreground deliberately contrasts with the much smoother, more atmospheric execution of the sky and distant mountains. The composition is articulated through a pronounced horizontal division. Approximately two-thirds of the surface is occupied by the landscape, while the sky also assumes a fundamental presence. The large masses of clouds, executed in a range of whites, grays, and delicate purplish tones, introduce a diffused light that softens the whole and provides atmospheric depth. The treatment of distance is particularly interesting: the brushwork, very perceptible and rich in body in the foreground, progressively loses definition as it moves toward the horizon. In this way, the artist achieves a convincing sense of breadth and depth. Stylistically, the painting is within the tradition of contemporary Spanish landscape painting rooted in Impressionism and Post-Impressionism, especially interested in light effects, atmosphere, and the chromatic variations of the Mediterranean landscape. The work does not seek a meticulous description of every plant element, but rather to convey the overall impression of an open, luminous field through color and brushwork. The artist’s provenance, born in Muro de Alcoy (Alicante), is also coherent with a production linked to the Mediterranean landscape and inward Alicante, a territory characterized by the contrast between agricultural expanses, spontaneous vegetation, and mountainous profiles. The work is presented with an elaborate frame of silvered and gilded moldings that complements its luminosity particularly well. Signed in the lower left corner. It is recommended to closely observe the photographs, which are part of the description and allow an appreciation of the work’s condition. The frame is offered as a gift to the buyer and is therefore not considered an integral part of the work nor of commercial value. Consequently, any possible damage that may occur during transport cannot be considered a reason for a claim. The artwork will be carefully packed to guarantee maximum protection during transport. IMPORTANT: shipments to islands, non-mainland territories, or destinations requiring customs clearance may be subject to additional transport, handling, or customs charges. These potential surcharges will be borne by the buyer.

Utropspris:SEK 3,353.33

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Juan Gonzalez Tomás (1950) - Printemps méditerranéen