Mark Twain - A Connecticut Yankee in King Arthur's Court - 1908

"A Connecticut Yankee in King Arthur's Court" by Mark Twain and ill. with 220 illus. by Dan Beard - Chatto & Windus, London - 1908 edition - 15cmx13cm - condition: good, publisher's blue binding, ffep cut, all illustrations present, some page foxing. A Connecticut Yankee in King Arthur's Court is an 1889 historical novel by American humorist and writer Mark Twain. The book was originally titled A Yankee in King Arthur's Court. Some early editions are titled A Yankee at the Court of King Arthur. In the book, a Yankee engineer from Connecticut named Hank Morgan receives a severe blow to the head and is somehow transported in time and space to England during the reign of King Arthur. After some initial confusion and his capture by one of Arthur's knights, Hank realizes that he is actually in the past, and he uses his knowledge to make people believe that he is a powerful magician. He becomes a rival of Merlin, who appears to be little more than a fraud, and gains the trust of King Arthur. Hank attempts to modernize the past in order to make people's lives better. Hank is disgusted by how the Barons treat the commoners and tries to implement democratic reforms, but in the end, he is unable to prevent the death of Arthur. Hank declares England a republic, but the Catholic Church, growing fearful of his wealth and power, issues an interdict against him. Twain wrote the book as a burlesque of Romantic notions of chivalry after being inspired by a dream in which he was a knight himself, severely inconvenienced by the weight and cumbersome nature of his armour. It is a satire of feudalism and monarchy that also celebrates homespun ingenuity and democratic values while questioning the for-profit ideals of capitalism and outcomes of the Industrial Revolution. Twain strongly praises the French Revolution, defending the Reign of Terror as a minor problem compared to the monarchy.[2] It is among several works by Twain and his contemporaries that mark the transition from the Gilded Age to the Progressive Era of socioeconomic discourse. It is often cited as a formative example of the fledgling time travel genre.

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