THOMAS SMYTHE (BRITISH 1825-1906), HORSES AND PONIES OUTSIDE AN INN;

THOMAS SMYTHE (BRITISH 1825-1906) HORSES AND PONIES OUTSIDE AN INN, WITH TRAVELLERS RESTING; A WINTER SCENE WITH A WOODCUTTER OUTSIDE Oil on board, a pair Both signed (lower right and lower left respectively) Each 35 x 61cm (13¾ x 24in.) (2) Painted circa 1860. Provenance: Private collection, UK Sale, Shakespeare, McTurk and Graham, Leicester, 20 September 1973, lots 283 and 284 Richard Green, London, 1973, no. L459 Private collection, UK, 1975 Thomas Smythe was a prominent Ipswich painter of rural scenes, landscapes with animals and coastal views. He particularly excelled at winter landscapes. Smythe was born in Ipswich in 1825, the son of an accountant, James Smythe and his wife Sarah. Thomas first worked with his elder brother Edward Robert Smythe (1810-1899), who was also a painter. His work was greatly influenced by Thomas Gainsborough (1727-1788) and he was also an admirer of George Morland (1763-1804), whose favourite haunt, the Old Plough Inn, Kensal Green, he visited and painted in 1898. Smythe set up a studio independently at Brook Street, Ipswich in 1846, where he made some of his finest works. These included pairs and quartets of paintings which often illustrated the seasons. In 1874, he collaborated with his brother on some engravings for the Fashionable Repository, published annually. In 1876, Smythe visited Cumberland, a trip that inspired many of his subsequent works. He also visited the West Country, the Sussex coast and the Isle of Wight. He moved to London in 1899 but died in Ipswich in 1906. Several of Thomas’s children were artists, notably Ernest William (1874-1950), who emigrated to America and worked for Walt Disney Studios. Thomas Smythe exhibited at the Royal Academy between 1856 and 1862, and at the Ipswich Fine Art Club between 1878 and 1903. He was awarded a silver medal by the Ipswich Fine Art Club in 1868. Condition Report: Horses and Ponies: The board is providing good support. Some abrasions to the extreme edges commensurate with rubbing to a frame. Minor superficial scratches. Inspection under UV reveals retouching along the left and lower extreme edges, as well as small dotted areas scattered throughout, including to the horses, figures, buildings, sky and trees. These have however been sensitively applied. The image appears to have been cleaned and revarnished. A Winter Scene: The board is providing good support. Some abrasions to the extreme edges commensurate with rubbing to a frame. Areas of fine craquelure are present with some slight cupping, most notably along the lower edge and to the figure of the woman. The surface appears to be stable. Inspection under UV reveals a couple of slightly larger areas of retouching to the upper left and right corners as well as small restorations scattered throughout, including strengthening to the figures, cottages, trees and foliage. These have however been sensitively done. The image appears to have been cleaned and revarnished. Condition Report Disclaimer, THOMAS SMYTHE (BRITISH 1825-1906), HORSES AND PONIES OUTSIDE AN INN, WITH TRAVELLERS RESTING; A WINTER SCENE WITH A WOODCUTTER OUTSIDE, THOMAS SMYTHE (BRITISH 1825-1906) HORSES AND PONIES OUTSIDE AN INN, WITH TRAVELLERS RESTING; A WINTER SCENE WITH A WOODCUTTER OUTSIDE Oil on board, a pair Both signed (lower right and lower left respectively) Each 35 x 61cm (13¾ x 24in.) (2) Painted circa 1860. Provenance: Private collection, UK Sale, Shakespeare, McTurk and Graham, Leicester, 20 September 1973, lots 283 and 284 Richard Green, London, 1973, no. L459 Private collection, UK, 1975 Thomas Smythe was a prominent Ipswich painter of rural scenes, landscapes with animals and coastal views. He particularly excelled at winter landscapes. Smythe was born in Ipswich in 1825, the son of an accountant, James Smythe and his wife Sarah. Thomas first worked with his elder brother Edward Robert Smythe (1810-1899), who was also a painter. His work was greatly influenced by Thomas Gainsborough (1727-1788) and he was also an admirer of George Morland (1763-1804), whose favourite haunt, the Old Plough Inn, Kensal Green, he visited and painted in 1898. Smythe set up a studio independently at Brook Street, Ipswich in 1846, where he made some of his finest works. These included pairs and quartets of paintings which often illustrated the seasons. In 1874, he collaborated with his brother on some engravings for the Fashionable Repository, published annually. In 1876, Smythe visited Cumberland, a trip that inspired many of his subsequent works. He also visited the West Country, the Sussex coast and the Isle of Wight. He moved to London in 1899 but died in Ipswich in 1906. Several of Thomas’s children were artists, notably Ernest William (1874-1950), who emigrated to America and worked for Walt Disney Studios. Thomas Smythe exhibited at the Royal Academy between 1856 and 1862, and at the Ipswich Fine Art Club between 1878 and 1903. He was awarded a silver medal by the Ipswich Fine Art Club in 1868. circa, Provenance:, Fashionable Repository, Condition Report:, Horses and Ponies: The board is providing good support. Some abrasions to the extreme edges commensurate with rubbing to a frame. Minor superficial scratches. Inspection under UV reveals retouching along the left and lower extreme edges, as well as small dotted areas scattered throughout, including to the horses, figures, buildings, sky and trees. These have however been sensitively applied. The image appears to have been cleaned and revarnished. A Winter Scene: The board is providing good support. Some abrasions to the extreme edges commensurate with rubbing to a frame. Areas of fine craquelure are present with some slight cupping, most notably along the lower edge and to the figure of the woman. The surface appears to be stable. Inspection under UV reveals a couple of slightly larger areas of retouching to the upper left and right corners as well as small restorations scattered throughout, including strengthening to the figures, cottages, trees and foliage. These have however been sensitively done. The image appears to have been cleaned and revarnished. Condition Report Disclaimer

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