signed "Gorky" upper right\noil on canvas laid on board\n19 1/8 x 15 1/8 in. (48.6 x 38.4 cm)\nPainted in 1927.
Still Life with White Pitcher, oil on canvas, 18 x 30 in (45.7 x 76.2 cm), framed 23 x 35 in (58.4 x 88.9 cm), artist plaque on original frame , PROVENANCE: Private collection Long Island
DESCRIPTION: Wax on paper attributed to Arshile Gorky depicting abstract shapes, forms, and line work. Signed at lower right and mounted in a wooden frame. \n\nCIRCA: Early 20th Century \n\nORIGIN: Turkey \n\nDIMENSIONS: WIth frame - H: 17.25" W: 1.5" L: 16.25" \n\nWithout frame - H: 12.25" L: 11" \n\nCONDITION: Minor discoloration of paper consistent with age and use
Bayard Osborn\n (b. 1922, d. 2012)\n\n“Indian signs”. Signed Osborn 67; titled on the reverse. Oil on canvas. 130×120 cm.\n\n Bayard Osborn was an American architect and painter from the New York School, pupil of Arshile Gorky, and friend of Pollock and de Kooning. From 1957 he lived in Spain where he associated with the Concrete Art movement in Andalucia.
ORMAN DOLPH \n\nClement Greenberg, 1951. \n\nInk and acrylic on various pieces of canvas, rivets and string, 1993. 160x1070 mm; 6 1/4x42 1/8 inches, the largest component, overall. With the artist's name and date on one of the canvas components. \n\nProvenance: Collection of the artist, New York and Connecticut; thence by descent to the current owner. \n\nDolph divided and stippled a reference to the artist Arshile Gorky, from Greenberg's (1909-1994) essay \n"American-Type" Painting, "Gorky was
ARSHILE GORKY (1904-1948) Untitled (from the Fireplace in Virginia series) graphite and crayon on paper 22 x 30 in. (55.8 x 76.2 cm.) Executed in 1946.
India ink, chalk and graphite on laid paper\n15 1/2 x 22 3/4 in. (39.4 x 57.8 cm)\nExecuted circa 1931–1932.\n\nThis work is included in the Arshile Gorky Catalogue Raisonné as number D0159.
ARSHILE GORKY (1904-1948) Untitled (The Horns of the Landscape) graphite and wax crayon on paper laid down on canvas 19 x 24 in. (48.3 x 61 cm.) Executed in 1944
Maine, Massachusetts 1921-2006 Depicts a nude woman standing in a dark room glancing out a window. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and Southern Illinois University. Fink's work
Maine, Massachusetts 1921-2006 Depicts a view of a town from top down with finely rendered buildings and trees. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and Southern Illinois University.
Henry D. Helprin (1894-1979) American artist, illustrator. Original graphite drawing, unsigned, approx. 12.5 x 19 in. paper. This was done in George Bridgmans summer 1934 class at the Art Students League of New York. Nearly 70,000 students passed through Bridgmans class at the League, including such significant artists as Gifford Beal, Will Eisner, Paul Manship, Andrew Loomis, Edmund Ward, Arshile Gorky, Jackson Pollock, and Norman Rockwell. Unsigned but guaranteed to be by Helprin. Provenance
Maine, Massachusetts,1921-2006 Depicts nude women and others in various stages of dress getting ready in a dressing room. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and Southern Illinois U
New York, Florida, Connecticut, Montana,1906-1969 Abstract black and white depiction of a somber figure posed with head tilted to the left and eyes closed. Leech studied at the Grand Central Art School under Arshile Gorky and George Pearce Ennis, and later studied lithography at the Art Students League. He often painted wilderness scenes of the West and was commissioned by Ringling Brothers to paint side show performers, however the paintings were lost in a fire. Leech won the American Watercolo
Written By Melvin P. Lader - Published By Abbeville Press Publishers - Copyright 1985 - 11" X 8 1/2" - See Photos For Conditio
Maine, Massachusetts,1921-2006 Depicts a bustling street market at the heart of China Town with colorful banners lining buildings. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and and Southe
Maine, Massachusetts,1921-2006 Depicts large lush trees scattered amongst a forested field. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and and Southern Illinois University. Fink's work is
Maine, Massachusetts,1921-2006 Depicts male and female nude forms interlocked and caressing each other intimately. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and and Southern Illinois Univ
Maine, Massachusetts,1921-2006 Depicts a brothel scene with partially nude women and men in suits in intimate positions. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and and Southern Illinoi
Maine, Massachusetts,1921-2006 Depicts a large bare knotted tree surrounded by trees and barren brush. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and and Southern Illinois University. Fink
Maine, Massachusetts,1921-2006 Depicts two woman in varying states of dress getting ready in front of a large mirror. Fink studied at the Carnegie Institute of Technology, receiving a B.F.A. degree from the Rhode Island School of Design and an M.F.A. from Yale University. He continued studies at the Art Students League in New York City, and with John Frazier, Gabor Peterdi, Arshile Gorky and Rico Lebrun. He taught at the Rhode Island School of Design, Yale University, and and Southern Illinois U
A nice little collection of Artists: Works Writings Interviews Poligrafa Series. All text in English, published in Barcelona. All hardcovers in dustwrappers in excellent condition. 1) Balthus by Mieke Bal. 2008. 2) Jackson Pollock by Nancy Jachec. 2011. 3) Jean Dubuffet by Valerie da Costa and Fabrice Hergott. 2006. 4) Arshile Gorky by Robert S Mattison, 2009. 5) Willem de Kooning by Sally Yard, 2007.
ARSHILE GORKY (1904-1948)\n\nComposition\n\nPainted between 1936 and 1937, Composition is an important, early painting from the formative years of Arshile Gorky’s artistic career. It belongs to the crucial body of work in which he establishes many of the key pictorial motifs that will go on to form so much of the celebrated Garden of Sochi series just a few years later (1940-1942). His densely painted surface is at its utmost thickness at this time, as the artist begins to unearth the enigmatic
Henry D. Helprin (1894-1979) American artist, illustrator. Original charcoal drawing, unsigned, approx. 12.5 x 19 in. paper. This was done in George Bridgmans summer 1934 class at the Art Students League of New York. Nearly 70,000 students passed through Bridgmans class at the League, including such significant artists as Gifford Beal, Will Eisner, Paul Manship, Andrew Loomis, Edmund Ward, Arshile Gorky, Jackson Pollock, and Norman Rockwell. Unsigned but guaranteed to be by Helprin. Provenance
Artist: Arshile Gorky (Armenian/American, 1904-1948). \n\nTitle: "Composition". \n\nMedium: Mixed media on paper. \n\nDate: Composed c1947. \n\nDimensions: Overall size: 9 7/16 x 13 1/8 in. (240 x 333 mm). \n\nLot Note(s): Signed lower left. Painted on light cream wove paper. Fine condition. Comment(s): Gorky, born Vosdanig Manoug Atoian, had a seminal influence on Abstract Expressionism. His works may well have been influenced by the suffering and loss he experienced during the Armenian Genocid
Artist: Arshile Gorky (Armenian/American, 1904-1948). \n\nTitle: "Composition with Face". \n\nMedium: Crayon and ink on paper. \n\nDate: Composed 1946. \n\nDimensions: Overall size: 8 1/4 x 11 5/8 in. (210 x 295 mm). \n\nLot Note(s): Signed, dated, and dedicated upper right; signed lower left. Painted on white wove paper. Fine condition. Comment(s): Gorky, born Vosdanig Manoug Atoian, had a seminal influence on Abstract Expressionism. His works may well have been influenced by the suffering and
Henry D. Helprin (1894-1979) American artist, illustrator. Original graphite drawing, unsigned, approx. 19 x 12.5 in. paper. This was done in George Bridgmans summer 1934 class at the Art Students League of New York. Nearly 70,000 students passed through Bridgmans class at the League, including such significant artists as Gifford Beal, Will Eisner, Paul Manship, Andrew Loomis, Edmund Ward, Arshile Gorky, Jackson Pollock, and Norman Rockwell. Unsigned but guaranteed to be by Helprin. Provenance
MILTON RESNICK (1917-2004) \n\nHouse. \n\nOil on paper. 180x260 mm; 7 1/8x10 1/4 inches. Signed, dated, titled and dedicated "to Virginia" in felt-tip pen and ink, verso. 1984. \n\nResnick trained at the Pratt Institute, New York, where he studied commercial art, before transferring to the American Artists School to focus on painting. Among the first generation of the New York School artists, he was friends with Abstract Expressionists such as Arshile Gorky and Willem de Kooning. Resnick sought
HERMAN ROSE (1909-2007) \n\nLittle Blue Bottle. \n\nOil on canvas. 460x430 mm; 18x17 inches. Signed in oil, lower left recto. 1968. \n\nProvenance: Acquired from the artist, New York. \n\nKnown for small-scale, modernist landscapes that represent the jumble of textured urban architecture, Rose was born in Brooklyn and worked much of his career in New York. After assisting Arshile Gorky in the Works Progress Administration's Mural Division, he went on to teach at Brooklyn College, the New School
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