Le Poisson

Executed circa 1933.\nSigned Soutine (lower right)\nUnder Chaïm Soutines acutely perceptive gaze Le Poisson transforms traditional representations of a genre long believed to be aligned with academic conformity: the still-life. In Soutines remarkably animated rendering, expressive brushstrokes exhibit an intense vitality in his subjects: Soutine looked for movement as soon as he placed the different objects in his still lifes (Rudy Chiappini (ed)., Chaïm Soutine, Milan, Lugano, 1995, p. 169). So

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