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A MAGNIFICENT IMPERIAL BEIJING ENAMEL GLASS BRUSHPOT

A MAGNIFICENT IMPERIAL BEIJING ENAMEL GLASS BRUSHPOT QIANLONG INCISED FOUR-CHARACTER MARK WITHIN DOUBLE-SQUARES AND OF THE PERIOD (1736-1795) Of square section with canted corners, the translucent milk-white glass ground is superbly enamelled on each side with a differing European 'mother-and-child' scene, including a lady seated in an interior setting, with a curtain above, her right hand raised in a studied pose, her son holding a flower up for her, with foliage visible beyond the balustraded, open window, another in an exterior setting with trees, mountainous landscape and a European castellated residence, the woman in a straw hat, with a flower in her hair, holding another flower in her left hand, her son at her knee, another in an interior setting with foliage visible beyond a distinctly Chinese, curving balustrade, resting her right hand on a column beneath a curtain, her son beside her at her knee, and the last another exterior scene with European architecture, some castellated, the woman with her hair tied in a cloth turban, resting her head on her left hand, her son at her knee in front of her, all within gilt scroll borders reserved on a pale puce-ground, each of the canted corners with a stylised florette panel enclosed by gilt-decorated blue-ground panels suspended by bats, reserved on a yellow-ground, a narrow black-ground band studded with blue star-shaped florettes encircling the rim and foot, the foot engraved with a wheel-cut mark, Qianlong nianzhi, 'Made in the Qianlong period', in regular script within a double-square 3 3/8 in. (8.5 cm.) high, box

  • HKGHongkong (S.A.R. Kina)
  • 2008-05-27
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A MAGNIFICENT IMPERIAL BEIJING ENAMEL GLASS BRUSHPOT

A MAGNIFICENT IMPERIAL BEIJING ENAMEL GLASS BRUSHPOT QIANLONG INCISED FOUR-CHARACTER MARK WITHIN DOUBLE-SQUARES AND OF THE PERIOD (1736-1795) Of square section with canted corners, the translucent milk-white glass ground is superbly enamelled on each side with a differing European 'mother-and-child' scene, including a lady seated in an interior setting, with a curtain above, her right hand raised in a studied pose, her son holding a flower up for her, with foliage visible beyond the balustraded, open window, another in an exterior setting with trees, mountainous landscape and a European castellated residence, the woman in a straw hat, with a flower in her hair, holding another flower in her left hand, her son at her knee, another in an interior setting with foliage visible beyond a distinctly Chinese, curving balustrade, resting her right hand on a column beneath a curtain, her son beside her at her knee, and the last another exterior scene with European architecture, some castellated, the woman with her hair tied in a cloth turban, resting her head on her left hand, her son at her knee in front of her, all within gilt scroll borders reserved on a pale puce-ground, each of the canted corners with a stylised florette panel enclosed by gilt-decorated blue-ground panels suspended by bats, reserved on a yellow-ground, a narrow black-ground band studded with blue star-shaped florettes encircling the rim and foot, the foot engraved with a wheel-cut mark, Qianlong nianzhi, 'Made in the Qianlong period', in regular script within a double-square 3 3/8 in. (8.5 cm.) high, box

  • HKGHongkong (S.A.R. Kina)
  • 2007-11-27
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Important and rare Archaic bronze wine vessel and cover (Fangjia)

AN EXTREMELY RARE AND IMPORTANT ARCHAIC BRONZE WINE VESSEL AND COVER, (FANGJIA) Late Shang Dynasty, 13th - 11th Century BC, The robustly cast body of square section with a bombé S-profile curving up to a flared rim set with a pair of pyramidal-shaped finials, all four sides crisply cast in low-relief, one main side cast with a loop handle issuing out from the mouth of a bovine mask linking to another animal mask cast in low-relief with bulbous eyes and curled horns, below a pair of addorsed dragons and four sun whorls, all set against a squared leiwen ground, the three other sides adorned with sculpturally and strikingly rendered central owl heads with saucer-like beady eyes staring out from below bushy brows and perked ears, all centered by a sharp beak and flanked by a pair of confronting dragons, the feathered body, wings and talons finely articulated and set against a leiwen ground, the main side cast with a further pair of confronting snakes flanking the owl, all supported on four powerful splayed blade-like legs each cast with a pair of deconstructed dragons and leiwen, the flat rectangular cover  surmounted by a pair of addorsed openwork birds encircled by four pairs of confronting birds around the edge cast in low-relief each within a rectangular panel against a leiwen ground, the surface covered with a smooth green malachite patina with traces of cinnabar, the base of the interior cast with a single pictogram (2) Quantity: 2 12 1/8 by 8 by 7 3/8 in., 30.7 by 20.4 by 18.8 cm

  • USAUSA
  • 2007-03-19
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FU BAOSHI (1904-1965)

FU BAOSHI (1904-1965) Landscape Inspired by Dufu's Poetic Sentiments Scroll, mounted and framed, ink and colour on paper 208 x 59.5 cm. (81 7/8 x 23 3/8 in.) Inscribed and signed, with four seals of the artist Dated eighth month, autumn, jiashen year (1944) One collector's seal of He Yingqin (1889-1987) Note: This work was done in 1944 and is one of the peaks of his artistic endeavours. Measuring 208 by 59.5 cm, such a colossal painting is quite rare for the period. Fu Baoshi once comments on his working environment when living at Jinggangpo as follows: "I live next to Chenyugu Lane, in an extremely small hut on the hillside of Jinggangpo. It used to be a shack, and the area is not larger than a square yard. Its height is merely 8 or 9 feet. Light shines through only a few pieces of semi-opaque roof tiles... it is very inconvenient just to write a letter, let alone execute a painting. Out of necessity, after breakfast, the only square table in the hut needs to be hoisted next to the foyer, and I paint under the light shining from outdoors. After my work, the table has to be moved again back inside for meals and other purposes. Like this, I have to shift my working area twice a day - pick up used paper, wash my brush and ink stone, sweep the floor, and wipe the table everyday." Therefore such a distinctive and important masterpiece made in this period under such challenging condition is really exceptional.

  • HKGHongkong (S.A.R. Kina)
  • 2009-11-29
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RARE ET IMPORTANTE PAIRE IMPERIALE DE PERSONNAGES ETRANGERS EN BRONZE DORE, EMAUX CLOISONNES ET CHAMPLEVES

RARE ET IMPORTANTE PAIRE IMPERIALE DE PERSONNAGES ETRANGERS EN BRONZE DORE, EMAUX CLOISONNES ET CHAMPLEVES CHINE, DYNASTIE QING, EPOQUE QIANLONG (1736-1795) Représentés dans une posture symétrique, un genoux à terre, l'autre replié, un bras levé, l'autre supportant la base de l'emblème ou du présent tenu à l'origine, portant des bottes aux pieds, vêtus d'une longue jupe ceinturée à la taille, ornée de fleurs harmonieusement disposées en émaux champlevés, d'une tunique souple boutonnée sur le devant et décorée de rinceaux feuillagés et lotus sur fond bleu, les manches courtes laissant apparaître une sous-tunique plissée en émaux champlevés multicolores, terminée par des bracelets dorés à décor ciselé de volutes fleuries, une courte cape nouée autour du cou et retombant sur les épaules, à motifs de dragons archaïsants sur fond vert et entrelacs géométriques, le visage tourné sur le côté, les cheveux retombant sur le front, les oreilles et la nuque en belles boucles souples, la bouche fine rehaussée d'une moustache raide pour l'un et bouclée pour l'autre, le nez légèrement busqué, les yeux rapprochés, parés tous deux d'un bonnet ouvragé amovible en cuivre repoussé et émaux champlevés, terminé par une tête de dragon, orné de bandes multicolores et ceint d'une frise de perles et dragons, deux rubans pendant à l'arrière de la coiffe, les socles d'origine en bois sculptés à l'imitation d'une base rocailleuse agrémentée de fleurs et fruits ; petits accidents mineurs Hauteurs sans les socles: 63 cm. (24¾ in.) et 63,5 cm. (25 in.) Hauteurs avec les socles: 68,5 cm. (27 in.) et 69 cm. (27 1/8 in.) (2)

  • FRAFrankrike
  • 2007-06-13
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A Highly Important Mamluk Armorial Candlestick made for Sayf al-Din Qushtumur, major-domo of Tuquztamur al-Hamawi

A Mamluk silver- and copper-inlaid brass candlestick, Egypt or Syria, 1340-5, The hammered brass body of characteristic tapering cylindrical form with raised horizontal borders and flattened concave drip-pan, the slightly tapering cylindrical neck rising to a broad candle-socket which replicates in miniature the form of the body, decorated all over with silver inlay against a ground of black niello, the body with a broad band of monumental thuluth script interrupted by two large roundels each enclosing a shield-form composite blazon with a spread-eagle above a cup against a copper ground set within a border of lotus blossoms and five-petalled rosettes on scrolling foliate stems, the raised horizontal mouldings with minor bands of chain and wreath pattern and undulating foliate scrolls, the drip-pan with a further band of thuluth script on a reduced scale interrupted by two large lotus blossoms each enclosed in a roundel with an outer border of ducks, the neck with two further eagle-and-cup blazons in shield-form cartouches on a sheet copper ground separated by two further roundels filled with flying ducks centred on a swirling six-petalled rosette, set between dark borders, the candle-socket with a minor band of cursive naskh script interrupted by swirling eight-petalled rosettes Height 38cm max. diam. 34cm

  • GBRStorbritannien
  • 2011-04-06
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Orientalisk keramik & Konsthantverk

Samtliga porslin, keramikföremål och övrigt konsthantverk från Asien och orienten hittar du på auktion här. Kinesiskt porslin från exempelvis Sung, Ming, Qianlong och Republik samsas med Satsumaporslin från Japan och koreansk keramik och Celadon, jade och bronsföremål tillsammans med mycket mer. Kompaniporslin är vanligt förekommande hos många av de europeiska auktionshusen.

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