¤ Barry McGEE Américain - Né en 1966\nUntitled - 2010\nTechnique mixte\nAssemblage de 76 éléments\n\nMixed media. Assembly of 76 elements\n\nh: 246,40 w: 401,30 cm\n\nProvenance : Ratio 3, San Francisco\nAcquis auprès de cette dernière par l'actuel propriétaire\n\nExpositions : Miami, Art Basel Miami Beach, Barry McGee @ Ratio 3, 2 au 5 décembre 2010\n\nCommentaire : Un certificat sera remis à l'acquéreur\nEstimation 50 000 - 70 000 € \nSold for 106,600 €
Sheila HICKS (Né en 1934)\nBadagara white - 1966\nTissage de coton naturel\nTissé par l'artiste à Kozhikode (Calicut), Kerala, Inde\n\nNATURAL COTTON WEAVED "BADAGARA WHITE" TAPESTRY BY SHEILA HICKS - 1966\n132.68 x 109.45 in.\nh: 337 w: 278 cm\n\nProvenance : Offert par l'artiste à Felicia Dialossin, Circa 1970\nPuis par descendance jusqu'à l'actuel propriétaire\n\nBibliographie : J. Simon et S.C Faxon, "Sheila Hicks,\n50 years", Editions Yale University press, New haven, 2010. Modèles similair
Giacomo BENEVELLI (1925-2011)\nPanneau lumineux dit "Arabesco" - 1965/68\nCadre et structure en bois, plaque d'aluminium perforé\n\nWOOD AND ALUMINUM "ARABESCO" ENLIGHTENING PANEL BY GIACOMO BENEVELLI - 1965/68\n78.74 x 35.58 in.\nh: 200 w: 98 cm\n\nProvenance : Collection du Docteur V., Milan\nCollection particulière, Milan\nEstimation 8 000 - 12 000 € \nSold for 9,100 €
Sally Mann (American, b. 1951)\n\nUntitled, 1993, printed 1997, from the series Mother Land. Signed, dated, and numbered "Sally Mann 1993 3/10" in pencil on the backing l.r., identified on a label from Edwynn Houk Gallery, New York, on the backing. Gelatin silver enlargement print toned with tea, sight size 30 x 38 in. (76.3 x 96.6 cm), framed.\nCondition: Not examined out of frame.\n\nProvenance: Edwynn Houk Gallery, New York, to a private Massachusetts collection.\n\nN.B. Sally Mann is perhaps
Pérez Celis (Argentinian, 1939-2008)\n\nNoche Sol en la Pampa\nSigned and dated "Pérez Celis 66" l.c., inscribed "'NOCHE SOL en la PAMPA'/Pérez Celis/B.S.As. 1966" on the reverse.\nOil on canvas, 51 x 38 in. (129.5 x 96.5 cm), framed.\nCondition: Small loss u.r., fine craquelure, small abrasions l.c., surface grime.
David Hockney\nSteps with Shadow F (Paper Pool 2)\n1978\nUnique hand-coloured pressed paper pulp, on white TGL handmade paper, the full sheet.\nS. 128.3 x 85.1 cm (50 1/2 x 33 1/2 in.)\nSigned with initials and dated in white ink on the front, annotated '2-F' in pencil on the reverse (one of 16 variants), published by Tyler Graphics Ltd., Mount Kisco, New York (with their inkstamp), framed.
David Hockney\nGregory in the Pool E (Paper Pool 4)\n1978\nUnique hand-coloured pressed paper pulp, on white TGL handmade paper, the full sheet.\nS. 81.3 x 127 cm (32 x 50 in.)\nSigned with initials and dated in white ink on the front, annotated '4-E' in pencil on the reverse (one of 20 variants), published by Tyler Graphics Ltd., Mount Kisco, New York (with their inkstamp), framed.
Jeff Koons\nSeated Ballerina (Wood)\n2015\nCarved wooden sculpture, hand-painted with oil paints in colours, contained in the original foam-lined white card box with the artist's name printed on the lid.\n45.7 x 43.3 x 24.6 cm (18 x 17 x 9 3/4 in.)\nWith incised signature, date and numbering 38/50 on the underside (there were also 10 artist's proofs), commissioned by the Israel Museum, Jerusalem on the occasion of the Museum's 50th anniversary.
Joseph Beuys\nFilzanzug (Felt Suit)\n1970\nHand-sewn felt suit, with the original cardboard box.\njacket: 83.8 x 63.5 cm (32 7/8 x 25 in.) trousers: 114.6 x 58.4 cm (45 1/8 x 22 7/8 in.)\nNumbered '1' in black ink on a label affixed to the inside of the jacket (the edition was 100 and 10 hors commerce examples), further signed, titled, dated and numbered by René Block in blue ink on a label affixed to the inside of the box, published by Galerie René Block, Berlin.
Andy Warhol\nLiz\n1964\nOffset lithograph in colours, on wove paper, with full margins.\nI. 56 x 55.6 cm (22 x 21 7/8 in.) S. 58.9 x 58.6 cm (23 1/4 x 23 1/8 in.)\nSigned and dated in blue ball-point pen (one of approximately 300 signed and dated), published by Leo Castelli Gallery, New York, the colours bright and fresh, framed.
Andy Warhol\nFlash - November 22, 1963\n1968\nThe complete set of 11 screenprints in colours, on wove paper, the full sheets, with individual paper folders with printed text and original linen-covered portfolio screenprinted in silver.\n56.8 x 56.8 cm (22 3/8 x 22 3/8 in.)\nAll signed and 10 numbered 146/200 in blue ball-point pen on the reverse, one sheet incorrectly numbered 144/146 at the time of publishing (there was also an edition of 26 in Roman numerals), published by Racolin Press, Inc.,
Jackson Pollock\nUntitled (M20)\ncirca 1946\nUnique screenprint in black, on tan card stock, with margins.\nI. 21.5 x 14 cm (8 1/2 x 5 1/2 in.) S. 28 x 21.7 cm (11 x 8 1/2 in.)\nFrom a small group of experimental variants printed between 1941-1946, framed. A negative of this image, printed on yellow card stock was used on the back dust jacket of Peggy Guggenheim's 1946 memoir, Out of this Century.
Frank Stella\nWaves I and II: six works\n1989\nSix screenprints with lithograph and linocut in colours with hand-colouring, marbling and collage, on T.H. Saunders and Somerset paper, the full sheets.\nall S. approx. 190 x 139 cm (74 3/4 x 54 3/4 in.)\nAll signed, dated '88 and numbered 33/60 in pencil (there were also 10 artist's proofs), published by Waddington Graphics, London, all unframed.
Francis Bacon\nÉtude pour une corrida (after Study for a Bullfight No. 1, 1969)\n1971\nLithograph in colours, on Arches paper, with full margins.\nI. 127 x 115 cm (50 x 45 1/4 in.) S. 159.8 x 120 cm (62 7/8 x 47 1/4 in.)\nSigned in black felt-tip pen and numbered 35/150 in pencil (there were no known artist's proofs), published by the musée du Grand Palais, Paris, for the retrospective of 1971, framed.
Andy Warhol\nTomato Soup, from Campbell's Soup I\n1968\nScreenprint in colours, on wove paper, with full margins.\nI. 84 x 48 cm (33 1/8 x 18 7/8 in.) S. 89 x 58.6 cm (35 x 23 1/8 in.)\nSigned in black ball-point pen and stamp-numbered 246/250 on the reverse (there were also 26 artist's proofs lettered A-Z), published by Factory Additions, New York, framed.